Sarah Thornton is a writer and sociologist of art. Formerly the chief correspondent on contemporary art for The Economist, Thornton has written for many other publications, including Artforum, the Guardian, and The New Yorker, and has contributed to broadcasts at the BBC, NPR, and ZDF. A frequent guest speaker, she has given talks and participated in panels at museums, universities, and literary festivals around the world.
Thornton has a BA in art history and a PhD in sociology. A Canadian who went to Britain on a prestigious Commonwealth Scholarship, Thornton investigated hierarchies of “coolness” through a case study of dance clubs and raves. Published as Club Cultures: Music, Media and Subcultural Capital, her doctorate led the Daily Telegraph to declare her “Britain’s hippest academic.” Thornton then coedited the first edition of The Subcultures Reader and ran the MA in media studies at Sussex University.
After doing a year’s undercover “ethnographic” research as a brand planner in an international advertising agency, Thornton returned to her first love – art – and started researching the book that would eventually become Seven Days in the Art World (2008). This series of witty narratives reveals the inner workings of the institutions that contribute to an artist’s place in art history. Named one of the best art books of the year by the New York Times, the book is an international hit, currently available in eighteen languages.
In the summer of 2009, Thornton began investigating the questions: What is an artist? How do artists command belief in their work? And what artistic myths do they enliven or reject? After interviewing and observing over a hundred artists, Thornton came up with the structure and themes of 33 Artists in 3 Acts. It is available in English worldwide, Italian, German, and Brazilian Portuguese. It is forthcoming in French, Spanish, and Korean.
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