Sarah Thornton is a writer and sociologist of art. Formerly the chief correspondent on contemporary art for The Economist, Thornton has written for many other publications, including Artforum, the Guardian, and The New Yorker, and has contributed to broadcasts at the BBC, NPR, and ZDF. A frequent guest speaker, she has given talks and participated in panels at museums, universities, and literary festivals around the world.
Thornton has a BA in art history and a PhD in sociology. A Canadian who went to Britain on a prestigious Commonwealth Scholarship, Thornton investigated hierarchies of “coolness” through a case study of dance clubs and raves. Published as Club Cultures: Music, Media and Subcultural Capital, her doctorate led the Daily Telegraph to declare her “Britain’s hippest academic.” Thornton then coedited the first edition of The Subcultures Reader and ran the MA in media studies at Sussex University.
After doing a year’s undercover “ethnographic” research as a brand planner in an international advertising agency, Thornton returned to her first love – art – and started researching the book that would eventually become Seven Days in the Art World (2008). This series of witty narratives reveals the inner workings of the institutions that contribute to an artist’s place in art history. Named one of the best art books of the year by the New York Times, the book is an international hit, currently available in seventeen languages.
In the summer of 2009, Thornton began investigating the questions: What is an artist? How do artists command belief in their work? And what artistic myths do they enliven or reject? After interviewing and observing over a hundred artists, Thornton came up with the structure and themes of 33 Artists in 3 Acts. This ambitious and entertaining book goes behind the scenes with a superb cast of living artists – from global superstars to unheralded teachers -- to humanize and demystify contemporary art. It is published on November 3rd in the USA and in many translations in 2015.
As a sociologist, I’m fascinated by the economic dynamics that swarm around art and artists. However, I’ve decided to shift away...
Much fanfare greeted the $388m made by Christie's post-war and contemporary evening sale in New York earlier this month—its highest...
The Economist 05/20/12
This month saw the launch in New York of a new kind of contemporary-art auction, one in which a single major...
The Economist 11/19/10
In 2008 just over $270m-worth of art by Damien Hirst was sold at auction, a world record for a living artist...
The Economist 09/09/10
Critics tend to declare that Marcel Duchamp's urinal, entitled “Fountain”, is the most important artwork of the...
The Economist 03/24/10
In summer 1997, I quit my tenured university lectureship in Media Studies and sought a job in advertising...
Critical Quarterly 01/01/99
Six years after The New York Times and London's Sunday Times named Seven Days in the Art World one of the best art books of 2008...
Art in America 10/20/14
Since exploding onto the scene in 2008 with her now-cult book Seven Days in the Art World, Sarah Thornton has charted...
Canadian Art 09/01/14
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Thornton is represented by The Wylie Agency:
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